Tahitian Pearls - Perles De Tahiti

Additional Information about Tahitian pearls

Tahitian Pearls

French Polynesia Official Classification

Tahiti Cultured Pearls are pearl concretions that are secreted inside the black-lipped Pinctada Margaritifera species of pearl oysters cultivated mainly in the lagoons of French Polynesia. They consist of thick pearly layers containing organic substances and calcium carbonate in the form of aragonite.

In French Polynesia, the trade designation "Tahiti Cultured Pearl" is reserved exclusively for cultured pearls obtained from a grafting of the locally cultivated Pinctada Margaritifera, variety cumingi pearl oyster. Such pearls have a continuous pearly layer over at least 80% of their surface and do not reveal either the underlying nucleus.

Tahiti Cultured Pearls are classified according to their diameter, luster, shape, surface purity and color.

Tahitian Pearl - Diameter

Tahitian Pearls Diameter

Pearls are classified from millimeter to millimeter and measured by the shortest diameter, which generally ranges between 8 and 14mm.This is done by sorting them through sieves. Some pearls reach 16mm and very exceptionally 18mm.To date, the record diameter for a round pearl is 21mm, 24,6mm for a semi-round, 26,95mm for a baroque pearl (Exhibited in The Robert Wan Museum of The Pearl)

Tahitian Pearl - Lustre

Tahitian Pearls Tahitian Pearls

This is the quality of the light reflections from the pearl's surface. Pearls are said to have high, or very high, luster when the reflections are bright and sharp. When the light reflections are weak and fuzzy (or diffused), the pearls are described as dull. The Tahiti Cultured Pearl rivals anything grown in Japan for the sharpness and intensity of reflected light from a pearl's surface. In fact, pearls from French Polynesia often possess such a mirror-like finish and radiant brilliance that their overall appearance is likened to that of very shiny metallic objects, such as ball bearings.

The only problem with such an analogy is that it suggests a cold, steely beauty. In reality, lustrous Tahiti Cultured Pearls have warmth to them--even when their surfaces gleam as brightly as a dress shoe.  Regardless, the lustre of the tahitian cultured pearl is just like their color--all natural.

Shape

Tahitian Pearl Shape RoundTahitian Pearl Shape DropTahitian Pearl Shape BaroqueTahitian Pearl Shape Ringed

Four basic shapes are defined at the production stage:

  • round and semi-round,(see photo 1)
  • drop, button and oval(see photo 2)
  • semi-baroque and baroques(see photo 3)
  • and ringed or circled.(see photo 4)
For some jewelery makers, shape is purely a design element, be it the sensuous curves of the drop or the flowing free-form lines of many baroque shapes. For such artists, all shapes that inspire them share aesthetic equality.

Most designers agree it is difficult to favor one kind of shape over another.
A New York designer once said: "A pearl that looks homely seen loose will be transformed into a thing of beauty if placed in the right setting."

Round pearls

Tahitian Pearl Shape RoundTahitian Pearl Shape Round

Round pearls are almost perfect spheres whose diameter variation rate is less than 2%.
The round pearl is the most sought after and the most rare of Tahiti cultured pearls.

Because Tahiti Cultured Pearls are most commonly used in jewelry, the low incidence of rounds is not considered a drawback. On the contrary, the wide variety of affordable fancy shapes is a big drawing card for jewelers who specialize in them.

Semi-round pearls

Semi-round pearls are slightly imperfect spheres whose diameter variation rate is greater than 2% but less than 5%.
When a pearl is allowed two years to grow inside an oyster, the chances of even, perfectly spherical nacre accumulation are a long shot. One experienced seller of fine Tahiti Cultured Pearls says true rounds rarely account for more than 10% of a Tahiti Cultured Pearls farm's crop. And 5% is more the norm.

Drop, button and oval pearls

Tahitian PearlsTahitian Pearls
The drop or pear presenting at least one axis of symmetry.

The button presenting at least one axis of symmetry.

The oval presenting at least one axis of symmetry.

Semi-baroque and baroque pearls

The semi-baroque in the strict sense presenting at least one axis of revolution.

The baroque pearl is generally an uneven pearl wich does not fall in any of the above categories.

Ringed or circled pearls

Tahitian Pearl Shape Ringed

Ringed or circled pearls are characterized by regular streaks or concave rings perpendicular to an axis of revolution over more than the upper third of the pearl's surface.

Quality

This is determined by observing the special features of the pearl's surface and luster. But nacre thickness, color, shape and size also judge quality.

Nacre Thickness

This affects the durability and sometimes the beauty of a Tahiti cultured pearl.If a cultured pearl starts off with a thick coating of nacre (and gets reasonable care), its beauty will last a life time.

If, however, the pearl has a thin nacre coating (or is carelessly treated), its nacre will soon wear away, exposing the nucleus.

The French Polynesian Government has set up a minimum nacre thickness of 0,8mm to the Tahiti Cultured Pearl. All pearls showing less than 0,8mm thickness are banned for marketing and destroyed.

Surface

For reasons best understood by psychologists, pearl dealers talk about the degree to which a pearl's skin is free of blemish as "spotting", a very negative term for a very common pearl feature.

Tahiti cultured pearl farmers generally use four ratings for surface quality: A, B, C and D. Pearl dealers prefer the neutral term "surface" as a way of discussing--or even rating--the presence or absence of imperfections in pearls. In this regard, it is the pearl word equivalent of "clarity".

Top Gem

Tahitian Pearl Gem Quality

Flawless pearl.
Excellent luster.

Quality A

Tahitian Pearl A QualityTahitian Pearl A Quality Drop

An "A Quality" pearl is a flawless pearl on at least 90% of it surface : on the remaining 10%, the pearl may have some slight concentrated imperfections with one or two deep imperfections tolerated. At least a very high luster.

Quality B

Tahitian Pearl B QualityTahitian Pearl B Quality Drop

A "B Quality" pearl is a flawless pearl on at least 70% of its surface. On the remaining 30%, the pearl may have some slight concentrated imperfections with one or two deep imperfections tolarated. At least a high luster.

Quality C

Tahitian Pearl C QualityTahitian Pearl C Quality Ringed

A "C Quality" pearl is a flawless pearl on at least 40% of its surface. On the remaining 60%, the pearl may have some slight concentrated imperfections with a 10% of deep imperfections tolerated. At least a medium luster.

Quality D

Tahitian Pearl D QualityTahitian Pearl D Quality Drop

A "D Quality" pearl is one that has either a large amount of slight flaws distributed over 60% of the surface, or several slight and deep flaws distributed over 60% of the surface at the most, regardless of the luster.

Color

Tahitian Pearl Colors

Tahiti Cultured Pearls offer an extensive array of colors and they all are natural. This is what makes their precious difference.
They generally have a body color enriched by at least one overtone color. There exists a wide range of body colors, the predominant basic colors of a Tahiti Cultured Pearl being: black, grey, blue, green and brown. Overtone colors on dark-colored pearls are pink, blue, gold, silver and a reddish purple. These overtones may be present in a variety of combinations and are considered a plus factor. Specific names are given to those colors:

  • "Peacock" : greenish black
  • "Cherry" or "Aubergine" : purplish black
  • "Champagne": yellowish grey
  • "Pistachio" : greenish grey
  • "Lavender" : bluish black
  • "Tahitian gold" : golden black
  • "Pigeon grey" : purplish grey
  • "Silver" : grey
  • "Moon grey" : pale grey
  • "Orient grey" : surface iridescence

Imitation Pearls

At one time, if a cultured pearl was black it was certainly stained artificially, usually by immersion in a solution of silver nitrate.
Natural black pearls do occur, although more rarely than ever, while naturally-colored black cultured pearls from Tahiti and other places are increasingly common due to the use of the black-lipped pearl oyster known as the Pinctada Margaritifera.

However, imitation black pearls are not so common as other color imitations since the true black pearl has a color that is far from being a matte black. In fact, the natural and cultured black pearl both have a beautiful sheen. Sometimes this sheen is a greenish hue against a black background. At other times the sheen is a bluish-black color that is very difficult to adequately describe.

Thus, because of the richness and diversity of their hues or overtones, Tahiti Cultured Pearl colors are very difficult to artificially reproduce. Yet, imitation black colored pearls do exist.

5 ways to detect imitation pearls

Faint Reddish Glow Characterizes Natural Black Pearls

Natural black pearls have a faint reddish glow when viewed through crossed filters, such as when bathed in blue light from a copper sulphate solution and examined through a red filter. Artificially-stained black pearls do not have this red glow reaction. It has been found that overlong exposure to X rays will blacken some freshwater pearls without a nucleus. But this is not so serious as possible blackening of natural pearls.

Some Imitations Have Immediate Giveaway Signs

Imitation pearls are found in graduated and chocker necklaces of such sizes and matching symmetry and color as to be obviously anything but natural or cultured pearls. The immediate giveaway reason is that so many large, perfectly matched pearls would cost a small fortune. But less pretentious imitations still have a giveaway sign. That is the drill hole. It is never so precise in imitation pearls as it is in natural or cultured pearls, which are individually drilled. The mass-produced imitation pearls literally have their hallmark at the drill hole, which shows signs of uneveness and rough formations due to the lack of finish applied to the manufactured pearl. Thick "tears" of the coating may appear at the drill hole as coagulations.

10x Lens Easily Reveals Imitations

Such telltale signs are quickly and easily revealed when an examination of the suspected imitation pearl is made with a 10x lens. Equally, an examination of the surface of glass beads will reveal bubbles just below the surface, or a mat pattern totally unlike the wandering serrated cloissons seen in natural pearls. Likely candidates for treated, imitation black pearls are the hard-to-sell, less popular colors. The typical treatment uses a solution containing a silver salt, such as silver nitrate. The pearl oyster picks up a silver precipitate, which is blackened by exposure to light or hydrogen sulfide gas. The treated color is non-fading.

Ways of Detecting Treated Color Pearls

The treated color can be detected by a number of tests, such as certain types of X-ray analysis and infrared photography. Such tests detect the treated color's comparative lack of ultraviolet fluorescence and its response to dilute acids.

Official International Definition

History and Role of the CIBJO

CIBJOThe CIBJO was created in 1961 by 10 nations that ratified new statutes and transformed a confederation (BIBOAH) that was originally formed in the early 1920s by several European countries to represent the interests of the jewellery trade.

More than 20 countries belong to the CIBJO, which has four independent sectors: manufacturing of jewellery and silverware; wholesaling of jewellery and silverware; dealing and cutting of diamonds, gemstones and pearls; and retailing of jewellery and silverware.

The CIBJO has three intersectorial commissions. One is for diamonds, one for gemstones and one for pearls. They meet periodically to revise and update three books defining the nomenclature and rules of application for good trade practices.

CIBJO Definition of a Cultured Pearl

What is the official definition of a cultured pearl such as what is produced in Tahiti and Her Islands?

The International Confederation of Jewellery, Silverware, Diamonds, Pearls and Stones (CIBJO) has defined the cultured pearl in its "Pearl Book" as follows: "Cultured pearls are nacreous formations secreted in the interior of the productive molluscs. The outer layers of cultured pearls are composed of concentric layers of an organic substance (a scleroprotein named conchiolin) and of calcium carbonate (usually in the form of aragonite). "The secretion of nacreous layers is caused by the metabolism of living molluscs themselves; human intervention only started the secretion. This applies to all cultured pearls whether with a solid nucleus and/or an organic implant. "

Other Types of Cultured Pearls The CIBJO's "Pearl Book" also defines other types of cultured pearls. There are "cultured three-quarter pearls or cultured half pearls", which have been "deliberately cultivated to a 3/4 or 1/2 round shape with nacreous layers by molluscs."

There are composite cultured pearls, which are "products resulting from man's assemblage of an upper portion of cultured pearl and one or more lower portions of the same or other substances.

Natural Pearls

The CIBJO defines natural pearls as those "natural formations secreted accidentally and without the aid of any human agency, in the interior of molluscs. They are composed of an organic substance (a scleroprotein named conchiolin) and of calcium carbonate (usually in the form of aragonite) arranged in concentric layers, the outer most of which are nacreous. The exception being the conch pearls where the layers are radial."

Note: Images and content courtesy PERLES DE TAHITI



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